My work explores the fractured nature of perception, emotion, and experience. I build my paintings gradually, using transparent and opaque layers to construct a kind of visual memory—where traces remain, shift, or disappear.
Often, I begin with a subject or concept, but through the process of painting, it breaks down into something more abstract, sometimes more intuitive. I’m drawn to the tension between clarity and obscurity, control and accident.
Rather than aiming for a single reading, I want the viewer to stay with the work—long enough to sense the connections between layers, gestures, and forms.